Beth Davila Waldman presents The Three Gratia to offer ideals of fortitude, reciprocal caring, and sanctuary as pathways within unfolding debates surrounding Mother Earth. Embracing themes of eco-feminism, this project has roots in the Latin word gratia, the architectural Caryatids of the Erechtheum temple primarily dedicated Athena, and the artist’s signature ultramarine blue nodding to the aqueduct which once revived The Valley’s economy. Ecofeminism is often presented as site-specific artwork that addresses the state of being under the control of a system that is oppressive and unfair for both the environment and of women.